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Modern Arts’ Black Hole
A Black Hole is just the way out
of what it is: a Black Hole.
Money: When money makes anything appear to matter, like “Modern Art,” then this appearance-of-matter creates a black-hole that includes every type of artistic creativity that to Money cannot appear to matter.
“Money can only pollute the picture of Atman Art,
for Pavlov’s Art the only real picture is Money.”
In recent history Pavlov’s Art ( the art of outside-values) is the most insanely manipulated commodity known to Money, and the IRS, that intellectuals should call Money but instead call Modern Art.”
“MODERN-ART”
Around the First World War wealthy intellectuals discovered that they could use auctions to turn literally anything, even junk, even urinals and even excrement (from the Dada Movement) into not only a commodity but with enough auctions into the most insanely manipulated commodity known to Money.
These intellectuals however discovered that it was far more profitable to turn junk, soup-cans, and garbage and preferably sewerage into the most insane commodity known to money than turning something that was already worth something. So they got the best and cheapest junk they could find and used auctions to manipulate their junk into the most insanely manipulated commodity known to money, and the IRS, that intellectuals should call Money but instead call Modern Art.
Everything that was not manipulated by these millionaires into the most insane commodity known to money (Modern Art) went into Modern-art's, history's, money's black-hole.
This money’s Black-hole is the exact same Black-hole Norman Adams' Paintings came out of to tell their story that starts with Atman's Big Bang, and then continues with the story of the greatest artists the world has ever known that money – and its Modern-art – keeps locked in its Black-hole ... just as surely as the experts of religion kept the Universe in the Black-hole the planet Earth needed to be flat during the Dark and Middle Ages.
Famous Artists
Technology triggered Atman's Big Bang when it gave the common man, Public, the control of creativity in Art when it gave the Public the books and magazines they could afford to buy. And in music technology gave the Public control of creativity with the records he, the common-man, the Public, purchased. It was such a phenomenal explosion of artistic-creativity that it made the Italian Renaissance look like a mere firecracker. But as long as modern-art's experts were generating fortunes for the Billionaires of the most-insanely manipulated commodity known to money – their Modern-art – this explosion of Atman's Big Bang has to be kept sealed in Modern-art's, Money's, Black-hole.
Not only does Atman's Big Bang have to be in money's, History's Black-hole but also all the most creative, successful once-most-famous and wealthy professionals the world has ever known that gave the world Atman's Big Bang.
A group of illustrators who, as a group, were by far the most creative artists the world has ever known were the foundation of the Famous Artists School. They were: Albert Dorne, Norman Rockwell, Stevan Dohanos, Robert Fawcett, Ben Stahl, Harold Von Schmidt, Al Parker, Austin Briggs, Jon Whitcomb, Peter Helck, Fred Ludekens, and John Atherton.
When this “Famous Artists School” was founded each had an income of over Ninety Thousand Dollars. Today that would be equivalent to close to half a million – EACH YEAR. Up until then, there had never been a group of artists who generated that kind of income let alone popularity, fame. And these artists did it because their creativity was one with the Public's tastes. In the same way the Public and not intellectuals made Elvis and the Beatles and Chuck Berry, Ray Charles and Steve Wonder ... wealthy, famous and successful beyond compare, the same Public made these Famous Artists even more famous, successful and wealthy. And then some.
When it comes to fame, wealth and success these “Famous Artists” go far beyond their field of art. They were so famous, wealthy and successful as a group that there has never been a group of any professionals in the history of the world – not even lawyers or doctors or clergy or even athletes or musicians, not even movie-stars -- that were more successful, famous and wealthy as was this group of “famous artists”... and except for the recent marketing of Norman Rockwell's illustrations by millionaires and billionaires like Steven Spielberg (to be yet another commodity that has nothing to do with art, but money) there is next to nothing in history about these Famous Artists, and also next to nothing about them on the WEB, Google. They are in language's, history's, money's Modern-art's Black-hole.
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There is nothing subtle about the Black-hole that the experts of Modern-art created for Money, Modern-art, history.
In 2006 the two most outstanding Museums of Art in the US -- The Metropolitan Museum of Art in New York, and the Nation's National Gallery of Art in Washington DC -- do not even have these by far the greatest most-famous - wealthiest artists the world has ever known listed as artists. What makes this even more amazing is that these greatest-artists were American and yet the Nation's “American National Museum” does not even list these American Artists as artists – even thought they were by far the greatest, most successful and popular and wealthy artists the world has known.
The Blow-Your-Mind Black Hole.
AND THEN A LOT LOT MORE. Just like the Nation's National Gallery of Art, The Metropolitan Museum of Art not only does not have the most famous artists the world has ever known listed as artists but they do not have any so called “illustrator” listed as an artist, not even if that artist is one of the most obvious fathers of this nation's art: N. C. Wyeth. And yet, to make Modern-art’s Black-hole even deeper and darker: these same museums of art list N.C. Wyeth's two decedents Andrew and Jamie Wyeth.
It is like having a museum on Christianity that gives us all the sects and saints of Christianity while insisting that Jesus and his disciples are not included because they were NOT Christians. For the exact same reason the $-billions behind Modern-art makes Illustrators NOT artists – even though nearly every artist of old was an Illustrator because he was paid to do “illustrations” to sell something, mostly royalty, religions and nobility.
These two national museums have limitless numbers of foreign artists listed, and they both have all sorts of urinals, and even the likes of excrement (Dada Movement ) hanging on their museum walls... and all sorts of paintings of the same Campbell Soup cans, and “spilled-paint” hanging on their museum walls ... but not a word about the greatest artists the world has ever seen ... WHO just so happen to be Americans. And this vacancy includes the name Norman Rockwell who today is the most widely recognized name of an artist in the WORLD.
“Money can only pollute the picture of Atman Art, and
for Modern Art the only real picture is Money.”
-- Geza Palotas
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